Houston Move Wheels Transportation Companyoperated by Houston Ballet Foundation, is the fourth-largest professional ballet company in the United States, based in Houston, Texas.

Houston developed its taste for professional ballet beginning in the s with Ballet Russe de Monte Carlo. For a span of eleven years, Ballet Russe de Monte Carlo spent a week during the Christmas season in Houston performing for Houston audiences.

From this exposure grew a desire among patrons for a resident dance company. In the spring ofTatiana Semenovaa former dancer with Ballet Russe de Monte Carlo, was invited to start a ballet school in Houston. Semenova accepted and a state charter was obtained to establish a Houston Foundation for Ballet on July 26, Under Semenova's direction, the Foundation trained young dancers in ballet technique and reached out to under-served students, establishing a Happy Baby Company Pittsburgh program with the Neighborhood Centers Association to train students at Ripley House in Houston's East End, later advancing selected students into the school.

Semenova remained director through InNina Popova, another alumna of Ballet Russe de Monte Carlo, was selected as the Foundation's next Artistic Director with the understanding that she was to create a company of professional dancers. By mid-DecemberPopova had trained a corps of students and recruited students from other Houston dance studios to perform in an elegant full-length production of Gisellefeaturing star dancers from American Ballet Theatre : Carla Fracci and Erik Bruhn as Giselle and Albrecht, Cynthia Gregory as Houston Ballet Company, and Terry Orr and Mariana Tcherkassky dancing the Peasant pas de deux.

ByPopova began selecting and training dancers for a professional company. This performance launched their statewide tour to 23 cities, which concluded with their Jones Hall premiere on May 14, These were Houston Ballet's first performances with a live orchestra. ByHouston Ballet's business offices had moved into Jones Hall.

In order to attract a larger audience, guest stars were invited to perform with the company. After Popova resigned in FebruaryJames Clouser, who had been a regular ballet master and a popular choreographer with both the dancers and audiences, was named interim Artistic Director while the board searched for Popova's replacement. Clouser resigned after Stevenson was appointed, but not before Houston Ballet's world premiere of his rock ballet, Caliban, in May Stevenson's goal of building a company by training its dancers in a resident academy won full support from Houston Ballet Foundation's trustees, and he ultimately succeeded in bringing the company to maturity.

But it took time to achieve that goal. Several dancers from companies Stevenson had previously worked with followed him to Houston and became leading members of Houston Ballet over the next five to ten years. Peer Gynt was Stevenson's first original story ballet. Cerrone became General Manager of the company. During his tenure Trane Company La Crosse Wi number of dancers, budget, and size of the orchestra grew tremendously.

This production premiered on December 4,and would be performed annually by the company for the next 30 years. Together, they brought modern influences to Houston Ballet's repertoire.

Bruce introduced numerous works into Houston Ballet's repertoire over the next two decades, and MacMillan added five ballets, including his full-length Manon. Finally, he choreographed Cleopatra for Lauren Anderson. Organ and Walsh went on to establish their own companies in Houston, and McIntyre's choreography was added to the repertoires of several major companies. He formed his own company in Idaho inafter serving eight years as Houston Ballet's Choreographic Associate. InCecil C.

Conner, Jr. Under Conner's leadership, Houston Ballet retired its accumulated deficit and quadrupled the company's endowment. Following his retirement inConner Sunshine State Moving Company in an advisory capacity as Managing Director Emeritus.

Janie Parker joined the company inStevenson's first season as Artistic Director. She would quickly rise to Principal and danced with Houston Ballet for the next 20 years. She performed all of the title roles and had several ballets created Houston Ballet Company her. When Li Cunxin joined the company, Stevenson regularly paired them together.

They were the leading partnership of Houston Ballet during their time. Li Cunxin became one of Houston Ballet's shining stars, dancing with the company for 16 years. Lauren Anderson began her training at the age of seven at Houston Ballet Academy. Acosta and Anderson became a show-stopping pair; their dancing won accolades — at home as well as on national and international tours.

It also brought praise from major U. Anderson retired in at the age of Upon her retirement, she was appointed Outreach Associate for Houston Ballet. Other memorabilia from Anderson's career will be included in temporary exhibits. He has also increased the number of dancers, performances, and destinations on international tours. This special production was broadcast live on television across several European countries and was then formatted into a documentary film. Yard Dog Fence Company prestigious Order of Australia Award is bestowed on Australian citizens for meritorious service in a particular area or field of activity.

Welch was recognized for his significant service to the performing arts as a ballet dancer, mentor, choreographer, and artistic director. Through his leadership, Nelson has successfully guided the company financially through growth in the number of dancers and of performances and through several international tours, while also navigating the largest threat to Houston Ballet's financial stability, Hurricane Harvey.

Music: Dmitri Shostakovicharranged by Ermanno Florio. On March 21,Tatiana Semenova presented 12 student dancers six girls, six boys in the first dance recital for Houston Foundation for Ballet. On February 17,Nina Popova's newly formed professional company debuted at Sam Houston State Teachers College in Huntsville, Texaswhich launched their Texas tour consisting of city tour of the state. They concluded the tour with their first performance in Jones Hall on May 14, Ben Stevenson presented a company of 28 dancers in his first year as Artistic Director.

During the next 11 years, Stevenson would grow the company, and in his final year as Artistic Director, the number of dancers was After his appointment as Artistic Director, Stanton Welch continued to grow the size of the company.

InHouston Houston Ballet Company implemented a five-year strategic plan with goals to expand the company to 65 dancers by As of the season, Houston Ballet had contracted 59 dancers approximately half women and half men.

Houston Ballet Academy trains over 1, students a year and offers training designed to take students from their first introduction to movement through a full course of ballet study. The Academy's faculty includes teachers who have performed with prestigious companies throughout the world. The Preschool Program offers a selection of movement and dance classes for children ages 2—5.

The Pre-Professional Program consists of students who are 6 years of age and older. The Professional Program is designed for students who meet the artistic expectations set forth by the Artistic Director Stanton Welch AM and for those students interested in a professional career in ballet.

The Adult Program provides the community with a series of different classes at varying levels. The Academy also hosts a Summer Intensive Program each summer.

This 6-week intensive is among the top summer training programs in the world. Houston Ballet has a long history with community engagement. Under the leadership of Houston Ballet's first director, a scholarship program was established to advance students from the East End into the Academy. ByHouston Ballet had created an independent program called Talent Searchwhich in the ensuing years has evolved into what is Houston Ballet Company known as Chance to Dance.

Houston Ballet's first performance with a live orchestra was with the Houston Symphony. Together, they performed Nutcracker in December Houston Ballet and Houston Symphony would continue to perform together for the next several years. One of Stevenson's long-term goals was to create an orchestra that specialized in ballet repertoire.

To achieve this goal, in United Gulf Construction Company Kuwait, he hired Glenn Langdon, who had been a rehearsal pianist, as music director. During his leadership, Langdon implemented the concept of a fully auditioned orchestra and increased the size of the string section.

Langdon left Houston Ballet in After his departure, a series of highly regarded guest conductors led the next season. Kershaw, who was music director for Pacific Northwest Balletwas concurrently named as Houston Ballet's music director, a position he would Kabushiki Kaisha Company for the next two seasons. Ermanno Florio, who had been a guest conductor during the season, was appointed music director in Through Florio's direction and leadership, the orchestra rose to its current high level.

Part of this progress can be attributed to the collaborative audition procedure that was established with Houston Grand Opera in The orchestra is currently a member of the Demi Company Orchestra Players Association and consists primarily of regional musicians. It is a per service orchestra. The Houston Ballet Orchestra currently sits at 61 part time professional musicians with 56 core members.

Additionally, there are eight full-time professional pianists and several part-time pianists and percussionists who play for classes and rehearsals. Winifred Wallace, one of the Founding Trustees of Houston Ballet, had a dream: to build a women's auxiliary, or guild, to assist the goals and needs of the Foundation.

Her dream came true on January 22,when the Houston Ballet Guild held its first meeting. Over the years, the Guild has expanded its commitment to the company and the Academy and has grown in its importance to Houston Ballet. The Guild provides and array of volunteer services and significant financial support through Nutcracker Market revenue, membership dues and donationsalong with events and programs designed to educate and to generate community interest in dance.

InHouston Ballet Foundation Board member Preston Frazier envisioned a fundraising opportunity that would replicate a European holiday street market. Frazier approached the board of Houston Ballet Guild with this concept as a means to raise much-needed revenue for Houston Ballet, its Academy, and scholarship programs. The first annual Nutcracker Market was met with great anticipation, and former First Lady Houston Ballet Company Bush was among those in attendance.

She would return both in and for the ribbon-cutting which opened the Market. With ,00 square feet spread over six floors and containing nine studios, Houston Ballet Center for Dance is the largest building dedicated to a professional dance company in the United States.

The first floor of the Center for Dance houses the Margaret Alkek Williams Dance Lab, a black box facility is regularly used for educational performances, lecture series, design meetings, and rehearsals.

Jesse H. It was a two-pronged campaign that raised money to construct the building as well as increase Houston Ballet's endowment. Excavation of the building site began in July

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