The company employs over 1, staff and produces around 20 productions a year. The theatres re-opened in Novemberhaving closed in The new buildings attracted 18, visitors within the first week and received a positive media response both upon opening, and following the first full Shakespeare performances. Performances in Stratford-upon-Avon continued throughout the Transformation project at the temporary Courtyard Theatre. As well as the plays of Shakespeare and his contemporaries, the RSC produces new work from living artists and develops creative links with theatre-makers from around the world, as well as working with teachers to inspire a lifelong love of William Shakespeare in young people and running events for everyone to explore and participate in its work.

The season began with performances of Macbeth and a re-imagined lost play The History of Cardenio. Inthe company began live screenings of its Shakespeare productions — called Live from Stratford-upon-Avon — which are screened around the world. There have been theatrical performances in Stratford-upon-Avon since at least Shakespeare's day, though the first recorded performance of a play written by Shakespeare himself was in when Parson Joseph Greene, master of Stratford Grammar School, organised a charitable production to fund the restoration of Shakespeare's funerary monument.

A surviving copy of the playbill records that the company performed Othello. The first permanent commemorative building to Shakespeare's works in the town was a theatre built inin the gardens of New Place, but has long since been demolished.

He donated a two-acre site by the River Avon and in launched an international campaign to build a theatre in the town of Shakespeare's birth. The theatre, a Victorian-Gothic building seating just over Ikea Kitchen Installation Company, opened on 23 Aprilwith a performance of Much Ado About Nothinga title which gave ammunition to several critics.

The Memorial, a red brick Gothic cathedral, designed by Dodgshun and Unsworth of Westminsterwas unkindly described by Bernard Shaw as "an admirable building, adaptable to every purpose except that of a theatre. The theatre received a Royal Charter of Incorporation inwhich gave it status. On the afternoon of 6 Marchwhen a new season was about to commence rehearsals, smoke was seen. Fire broke Royal Shakespeare Company, and the mass of half-timbering chosen to ornament the interior provided dry tinder.

By the following morning the Film Production Company Wordpress Theme was a blackened shell. The company transferred its Shakespeare festivals to a converted local cinema. Fund-raising began for the rebuilding of the theatre, with generous donations arriving from philanthropists in America.

In Januaryfollowing an open competition, year-old Elisabeth Scott was unanimously appointed architect for the new theatre which became the first important work erected in the United Kingdom from the designs of a woman architect. Her modernist plans for an art deco structure came under fire from many directions but the new building was opened triumphantly on William Shakespeare 's birthday, 23 April Later it came under the direction of Sir Barry Jackson in[4] Anthony Quayle from to and Glen Byam Shaw —, with an impressive roll-call of actors.

September — The vision for the renewal of the Royal Shakespeare Theatre transformation is announced. Inwhile still the director-designate of the Memorial Theatre, Peter Hall announced that the formation of a permanent company would be a primary objective.

The critic Michael Billingtonsummarising these events, wrote: "In the twenty-nine-year-old Peter Hall formally took charge at Stratford-upon-Avon and set about turning Winchester Sign Company star-laden, six-month Shakespeare festival into a monumental, year-round operation built around a permanent company, a London Non Profit Energy Company and contemporary work from home and abroad.

Looking back, it is difficult to realise just how radical Hall's dream was at the time; or indeed how much opposition there was to the creation of what became officially known in March as the Royal Shakespeare Company. John Barton had been appointed associate director in January[6] and was followed in by Michel Saint-DenisPeter Brook and Clifford Williams who joined the company as resident directors. John Bury was appointed head of design in The repertoire was also widened to take in modern work and classics other than Shakespeare.

Instrong opposition to the establishment of a London base for the RSC came from the Royal National Theatre which — led by Viscount Chandos and Laurence Olivier — wished to be the sole subsidised company operating in London. Twenty years later, in the summer ofthe company took up London residence in both the Barbican Theatre and The Pit studio space in the Barbican Centre under the auspices of the City of London.

The RSC was closely involved in the design of these two venues. In it left the Barbican after a series of allegedly poor seasons, partly because the then artistic director Adrian Noble wanted to develop the company's touring performances.

His decision means the company has no regular London home. The RSC had first tackled its need for a small auditorium in At the insistence of Sir Trevor Nunn who had taken over as artistic director inthe company hired The Place off the Euston Road in London and constructed its own theatre space for an audience ofseated on raked wooden benches. In December Buzz Goodbodythe company's first female director, [7] drew up a plan for what would become The Other Place studio theatre in Stratford, designed by Michael Reardon to seat people, which opened to a first and highly successful season in The name chosen for the new studio space was favoured within the company because it implied an alternative theatre, but also because it Startup Company Contracts a quotation from Hamlet.

The production transferred to London, opening at the Donmar Warehouse in September before its further transfer to the larger Young Vic venue for a two-month season. It was also recorded for transmission by Thames Television. Inmembers of the RSC voted Dench's performance the greatest by an actress in the history of the company. This was, in fact, the perihelion of Trevor Nunn's ten-year reign as the company's sole Artistic Director and Chief Executive in he began to share power with Terry Hands.

No other company in the world could match that Qingdao Hair Company for quantity and quality". The space was to be dedicated to playing the works of Shakespeare's contemporaries, the works of European writers and the occasional work of Shakespeare. It was directed by Barry Kyle. Royal Shakespeare Company who had been appointed [ when?

Hands took the decision to suspend the RSC's residency at The Barbican Theatre and The Pit during the winter season of —91, thus vacating the capital for the first time in 30 years. Shortly after that decision Adrian Noble returned to the RSC to take over from Hands as artistic director and chief executive.

The company had serious funding problems. Noble's decision to sever all RSC connections with the Barbican Centre, funded by the Corporation of the City of London, was widely condemned, [9] and towards the end of his tenure things began to go terribly wrong, partly through his pursuit and support of the so-called Royal Shakespeare Company Fleeta radical scheme aimed at rescuing the RSC from its financial crisis by replacing the Royal Shakespeare Theatre with a crowd-pleasing 'Shakespeare Village' and streamlining the company's performance structure and ensemble principle.

None of Noble's plans came to fruition. He left the job, an unhappy man, in March By a combination of artistic excellence and quiet husbandry, including a year-long Complete Works of Shakespeare Festival begun in April in collaboration with other theatre companies plus a financially successful London season at the Novello Theatre inBoyd slowly rebuilt the company's fortunes and reputation.

In he launched the long-awaited Stratford theatre redevelopments, including construction of the temporary Courtyard Theatre while work was in progress, designed to house his RSC Histories cycle before its transfer to the Roundhouse in London in In Marchthe RSC launched a manifesto 'Stand up for Shakespeare', [15] a campaign to promote a positive experience of Shakespeare for children and young people. In summer the company undertook a residency in Park Avenue ArmoryNew York, running a series of performances and an accompanying education programme in partnership with the NYC Department of Education.

Live from Stratford-upon-Avon, a new project to broadcast the company's productions in cinemas around the world and stream them into schools was announced in May In Octoberthe RSC announced that it would be ending its partnership with BP at the end of year following criticism of its association with the oil company.

A week before, school students threatened to boycott the theatre company if it did not sever links with the firm. A spokesperson for the RSC explained that "Young people are now saying clearly to us that the BP sponsorship is putting a barrier between them and their wish to engage with the RSC'. The Courtyard Theatre was replaced by The Other Place, which was reinstated as a seat studio theatre in From Wikipedia, the free encyclopedia.

British theatre company. Angus Jackson also directed Julius Caesar in Gregory Doran directed a puppet-based production of Venus and Adonis in King Leardirected by Gregory Doran and with Antony Sher in the title role, premiered in and was revived for a short run in Timon of Athens directed by Simon Godwin Opened in November Main article: List of actors in Royal Shakespeare Company productions. Shakespeare for all Time.

London, Macmillan,Mtc Touch Company Phone Number. The Guardian. Retrieved 3 December London: Routledge. The Economist. London Evening Standard. Retrieved 22 July Retrieved 2 October From the RSC". BBC Two. Retrieved 18 April BBC News. Retrieved 26 November Retrieved 24 May Retrieved 18 January The Daily Telegraph. Retrieved 22 April British Theatre Guide.

Archived from the original on 16 May Archived from the original on 5 July Archived from the original on 4 December Royal Shakespeare Company. Archived from the original on 10 April Retrieved 26 January Retrieved 25 February William Shakespeare. Quarto publications First Folio Second Folio. The Passionate Pilgrim To the Queen.

Categories : establishments in England Shakespearean theatre companies Theatres companies in Warwickshire Theatre companies in England Theatre companies in London Theatre companies in Newcastle upon Tyne.

Royal Shakespeare Company: The Tempest (2017) - IMDb

Jan 11, 2017 · According to an interview with Gregory Doran, its artistic director, the Royal Shakespeare Society wanted to make this production a fittng one for Shakespeare's 400th anniversary, particularly in terms of its use of modern technology, supposedly something which the Bard himself achieved - with different means of course - when the play was first performed in the 1610s.7.4/10(34)…